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CHAPTER-15:6th arpeggios & chords

There are 2 types of 6th Arpeggios: Major 6th minor 6th We describe their Formation and theory below. Major 6th Formula:Add major scale’s 6th note with the corresponding Major arpeggio or chord. Example: CM6th=C E G+A In case of C major 6th,the main 3 notes of the arpeggio are C,E,G as we learnt from previous chapters. The arpeggio notes C,E,G …

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CHAPTER-14: ARPEGGIO FINGER EXERCISE-4(Using 7th arpeggios)

Time signature:4/4 (8th note) ,Tempo 130 This chapter demonstrates the expansion of 5 string form arpeggios with 7th structures. AM7TH= A C# E + G# To create AM7th we add the note g# on g-13 with the existing arpeggio.     Am7th=A C E +G To create Am7th we add the note g on g-12 with the existing arpeggio.   …

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CHAPTER-13:ARPEGGIO FINGER EXERCISE-3 & 3/4 Time Signature

3/4 Time Signature A time signature of 3/4 means count 3 quarter notes to each bar. This is an often-used time signature giving you a waltz feel. 1, 2, 3, 1, 2, 3, 1, 2, 3… Part A:   (Alternate picking applicable on Tempo 130-8th note time signature on each beat) This is one of the most important Arpeggio formats …

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CHAPTER 12.2 :PLAYING ARPEGGIOS WITH SCALES & TRIPLET

Finger exercise-3 We have separately practiced Finger exercise-1 with using Major scale notes, and in this chapter we will play scale notes and arpeggios combined. Make sure you can play the previous chapters! Rhythm to be applied (refer to chapter-6): Tempo – 100 bpm Picking to be applied: Triplet: Triplet is the beat subdivision where you play 3 notes in …

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CHAPTER-12.1: PLAYING ARPEGGIOS WITH SCALES

Finger Exercise-2 We have separately practiced Finger exercise-1 with using Major scale notes, and in this chapter we will play scale notes and arpeggios combined.  Rhythm (Tempo 130, 4/4) play the rhythm on the following chords together,1 time on each chord: C   F  G  C  C  Bm Am G/C   *In the last measure Rhythm changes on G and …

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CHAPTER-11: APPLYING 7TH CHORDS AND ARPEGGIOS AND ODD TIME SIGNATURE

In this chapter, we learn to create pattern based arpeggios based on Major 7th,Minor and  Dominant 7th .See Chapter 10 Before you proceed from our site. PATTERN-1 Mute Rhythms: Mute Rhythm Gives you a great access to create variation points in your basic rhythms. In this part play CMAJ 7th chord in the background with the arpeggio. Below in the …

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Chapter-10.2: 7th Chords

Refer to chapter 10.1 Major 7th Chords minor 7th Chords 7th(Dominant) chords: [captainform id=”761503″ lightbox=”1″ text_content=”Get%20Admitted%20yourself%20to%20GuitarNeverLies-The%20School” bg_color=”FF0000″ text_color=”FFFFFF” position=”left” type=”floating-button”]

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CHAPTER-10.1: 7TH ARPEGGIOS

7th Arpeggios There are 3 types of 7th Arpeggios: Major 7th Minor7th 7th   We describe their Formation and theory below. Major 7th: Add major scale’s 7th note with the corresponding Major arpeggio or chord. Example: CM7th=C E G+B In case of C major 7th, the main 3 notes of the arpeggio are C,E,G as we learnt from previous chapters. …

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CHAPTER-9.2: PERPETUAL MOTION ON PENTATONIC

Perpetual means Continuing without interruption, completing it without any break. This Chapter will lead you to create severe consistency on playing and accurancy build up. Be sure you have learn The Major and Minor Pentatonic scales from different keys/home Refer to Chapter-9.1 first. Part A Task: Play the following exercise which is based on A minor pentatonic. You have to …

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CHAPTER-9.1: PENTATONIC SCALES

Pentatonic Scales are directly derived from natural Major and Minor scales. Penta is 5, tonic is Tones-our sounds-A scale with 5 tones or notes. Pentatonic scales are very common and are found all over the world. Major Pentatonic: Dismiss 4th and 7th notes from Natural Major scale, from any root. Example Tab of A Major Pentatonic  1st octave(A,B,C#,E,F#,A): Task :Play …

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